Blackhearts review of the eponymous debut EP

Blackhearts is a London – England – based Institute of Contemporary Music Performance networked band - Andy Smith (Vocals), Stuart Cooney (Guitar), Phil De Hovre (Bass) and Jay Lewis (Drums), each studying their respective instruments. So naturally I had to take a listen – Production line or Hand-crafted, well the simple fact I am writing gives the clue to the craftsmanship.

Blackhearts

Blackhearts

The three track eponymous debut EP provides an interesting insight as to why writing about music in the first and second decade of the 21st Century is a pleasure, as they reference themselves around the bands who in my opinion were but pale imitations of the originals, yet manage to get right back to the roots and re-energize the creative process. Always seeking to add something new, not to merely trace in feint lines, as those who they refer, in reality did.

Rainbow Scar is four minutes of introspection with a hand-warming fuzzed guitar that engrosses the ear. A tip-toed percussion and blended bass frame the track. For sure you can hear the angst of the first release, but it hits a pitch to the ear that gives a credibility and originality.

A different mood resonates through Daffodil December, as Blackhearts  take us on a more jazz influenced romanticism. This is a power ballad of the highest order.  Superb craftsmanship, but is that enough to convince jaded ears?

Ladder Lady is where the band let themselves explore. This is where the band pull it all together and proffer a sound that draws in the head and on the strength of this track alone, I felt the need to let the readers of the indie bands blog know there is an out-fit out there called Blackhearts that deserves some space.

I hope that Blackhearts can retain the originality of Ladder Lady and use this as their reference point, as here they hit a sound which is becoming less afraid to explore. I can hear something very interesting developing, but I still ponder the constructs of an academic study, rather than an all out assault, time will tell. For now, this adds a mix to the world of music deserving of space.

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